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  • the dead season

    *Freud is not right. . .*
    “Life is full of surprises”, I am not one of those who think so. I believe that life is full of obstacles, which I have to overcome--which I do, and which makes me be one of those who never get bored. I am the one who never gets bored. How many your friends can say this? Can you say this?
    Every time, getting up in the morning, I don’t know whether my grandma is still alive in her bedroom or not, for she is so old and ill, and it is said, the old men and women die in sleep. Coming in her room I stand still at the door--she is sleeping at this unearthly hour, and I can’t discern, whether she breathes or not. Ready and yet unprepared, feeling unable to approach, I can’t discern it for several horrible seconds--alive or not? alive or not? alive or not? alive or not?--then, eventually, my eyes catch a slight movement: her blanketed shoulder heaves, and since this moment I can see she breathe. That’s all right. Today. Taking breath I leave the room and close the door behind me. It’s my first everyday play with death. I cannot blame anyone in this ordeal, unless my partner death, but it’s silly to do--as silly as death itself. And death keeps on playing.
    Going out, I am not sure that I won’t be a victim of a traffic accident any moment, however law-abiding as a pedestrian I am, because so many drug-addicts or simply overstrained drivers are at the wheel now, and every going out for shopping is a play with death for a pedestrian though not all of us are aware of it. Nice distraction and remedy from boredom, isn’t it? This extreme is more than enough for me, and I don’t feel like having any more. Well, life is full of surprises too, if you wish.
    Meanwhile, on the 2nd of August (very soon) my grandma is 89. She used to nurse me, yet the time has come and I nurse her now. She raised me like her own daughter though my mother was and is alive, and my parents were never divorced. When I was a little kid I loved my grandma to destruction. Since the time when I was aged 5 that is the time when I had learnt of such a phenomenon as death (it’s too much adult programs on TV and then my questioning), I was consumed with fear of her death, because those days, being ill she had heart attacks that impressed me too much. Everyone in my family might die--my mother, my father, everyone, I hardly noticed that--but not my grandma. According to Freud, now, being adult I should love all old women. Why? It’s beyond me, *shrug*. I dream about men as long as I can remember. I was in love with a male for the first time when I was aged 6--however funny it sounds--he was a boy about 8 or 10, who I loved from afar, admiring him as he played with his playmates at the public garden, where I was brought by hand for a walk. I won’t say why I chose him out of all boys I could see, but it’s with reason. I had been in love with him for one vernal month or so.
    Some learned people say that every individual is unique, and most of sane individuals are predisposed to self-examination or self-rating, so I let you know of these details of my life as one more unique individual, no more.
    And again, according to Freud, I have to love tall men, since my father, who I loved dearly, was a tall man. Why should I do it? It’s beyond me. I have nothing against tall men, I don’t think they are silly or brutal or narrow-minded, not at all--Dr Phillip Bernhardt-House, who I love dearly, is a tall man, as I was told--but my acrophobia plays a trick to me: every time I saw a man taller than me (which cannot be often in our part of the world) and I lift my head up to look up at his face, I feel giddy (or other unpleasant feeling akin to it), and I hasten to avert my eyes.
    I never read Freud don't feel like reading, but I read Nabokov’s witty comments, which I love. Really, a learned man, who claims that every little boy subliminally dreams of making love with his mother and of castrating his father, cannot be taken seriously, and is a good object for Nabokov’s scorns, and anybody else’s, regardless of my own preconception.
    Regard this essay as my speech against psychoanalysis, if you wish.
    *~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*

    *Ravens True Stories*
    (impressions)
    The next day after I published the story about my passing relationship with the sea-gull in this blog--
    http://ohlala007.blog.co.uk/2008/05/24/quixotic-4214584
    --my relationship with other bird took place. This last story made me recall one more story that too place late in the winter, and recently in summer one more impression was added to the first two. Now, the first, most mysterious story.
    That day--the next day after I published the story The View From the Left Bank--as usual, I went out for shopping. The day was rainy and cloudy, but the rain stopped by 1 p.m. Now, when walking in a side-street, rather a long and broad green alley (all streets are broad in the town), at a distance of 20 yards from my house, I felt a rapid blow from behind to the back of my head or rather neck, right behind my left ear. The sensation was not faint, although the thing that hit my neck did not feel like something hard, rather it was elastic and wet. Shocked, I kept my balance though. I felt taken at disadvantage and assailable. The point is that earlier last spring, on March 9, I was assaulted by a robber, who wanted my handbag. It was by day, around 2 p.m., in front of my house, at the moment when I expected nothing of the kind. I fought with him but failed, and thus I was robbed of my handbag and got a slight concussion of the brain. And this instant, in some extraordinary way, it was a new attack. I looked back--and saw what it was. It was a raven. The wet bird flew up and lit on the nearest wiring, apparently to come to itself after the collision, and also to be able to watch me, or perhaps being on the point of a new attack. Seeing it was but a bird, I was now concerned about my clothing. With hand I felt the collar of my overcoat trying understand whether it was dirty after the raven’s attack or not. It seemed to be all right. Still shocked, I felt again and again my overcoat’s collar and shoulder, making meanwhile several steps forward. The raven took wing moving forward too, and as soon as I paused, it lit on the next wire. Obvious, the bird kept on watching me. This looked fearsome. Shocked, being afraid of the next attack, I turned to look at people and to know whether anybody saw it all or not. There were only several passers-by in the side-street; all of them were young, and all of them responded to what had happened but just, and what could not slip their attention, very odd, that is they did not respond at all. Like pallid phantoms they simply continued walking towards me and by me, looking either at my face or straight before them--it was impossible to make out--silently, as thought nothing had happened. Apparently, it was a weird day in the town. It made the scene dreamlike. “If the onlookers were some old men or women, they would say some kind words, sympathizing with me,” I said to myself. But I was too much preoccupied with my clothing to watch the strangers longer or to permit myself to be benumbed by the look of those pale phantoms. Keeping silence, the raven did not try to attack again--so making certain of cleanness of my overcoat, I mended my pace, having way on, towards the department store. The raven stopped chasing me, but all along that day, being out, I felt ill at ease. The ravens or crows, which cawed overhead, among the old poplars, seemed possible assailants. Walking in a street I thought I heard footsteps behind me--I looked back, but nobody came after, the street was empty. Footsteps were heard a dozen times on my way home, and every time I looked back the street was empty. It did not give me the creeps, for it was by day, but it was awful anyway. Feeling ill at ease the day long, I still did not understand a reason of the raven’s attack that looked like a sudden, awfully bad omen, precursory of mischief. What about you? Have you guessed of the reason? I’ll tell you, if you have not. Far in the day I told my grandma about this happening (you have to tell at least three persons about the bad omen that looms over you, so that the predestination would not come true) and my grandma said simply: “It’s you glittering earrings.” What kind relief I felt hearing that! The raven did not want my blood that pulsed in the vein right behind a human’s ear, he did not want to hit the vital vein--the winged robber dived from above for my earring, nothing more! No bad omens!

    Many ravens, crows and magpies come flying from the snow-clad forests and fields for wintering in the town. Every time I enjoy watching the birds. They look nice, bigger and much clever than the town birds, and even friendly and social at times. One day in February, I was an onlooker or rather a listener of an interesting scene. It took place outside my window, and I may not to see it, because I could hear it all very well. A tomcat went out for a walk--I learnt of his presence because he began miaowing loudly and appealingly. Then I heard other voice. It was a voice of a crow or raven. The social bird began respond to the cat’s miaowing, doing it to the best of its abilities, that is the bird began imitating the cat’s miaowing.
    “Miaaow!” said the cat.
    “Crriaow…” said the bird.
    “Miaaow!” said the cat.
    “Crriaow...” said the bird.
    As I think, the social bird, as a stranger who had been at home here, was about to make contact with the natives that is with inhabitants of the yard and surroundings, wishing to know them better and to while away the time at a pleasant and cognitive talk. And the tomcat ignored the bird. He seemed to be preoccupied with his own business too much to pay attention to somebody else’s voice. He proceeded: “Miaow!”
    “Crriaow…” echoed the bird quietly yet distinctly.
    “Miaaow!”
    “Crriaow…”
    “Miaaow!”
    “Crriaow…”
    “Miaaow!”
    “Crriaow…”
    “Miaaow!”
    “Crriaow…” The bird felt like communing so much, but the cat seemed indifferent to anything but his own business, although the bird cawed being somewhere low, perhaps on a branch right over his head. Presently I was distracted by something, and I never knew who of the two was the first to become silent.

    Now, in summer, most of the ravens and other forest birds left the town. I see only some ravens remain. And in July, when the weather is oppressively hot, outside my window, in the last sunrays sometimes a raven’s voice is heard from above. Apparently, the bird finds place somewhere on a top of an old tree or on wiring, but I don’t know of this for certain, and I never saw the bird. I only can hear its voice. The raven caws quietly, with measured pauses, rather pleasantly. I think it is a male--a young raven cawing at the sunset. I enjoy listening the voice. The raven caws so melancholy, so gently that I am beginning to think that it seems to him that he sings like a very nightingale. Next day after the singing, it rains, and I flatter myself with hope that the rain precursor sings for a rain lover like me.
    *~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*

    *the animal shelter in the Moscow:*
    In a Moscow animal shelter, two caged dogs talk. The dog, who has been caged only today, asks its sophisticated neighbor: “How many time a day they feed us? When the next meal?”
    “Let me see… It’s 9 a.m. now? The next meal is… in three days.”
    “Great!”
    A family comes in the shelter. They watch the cages with dogs for the purpose of adopting a stray dog. Eventually, Father says to the clerk: “We want this dog.”
    “The dog costs 200 dollars,” says the clerk.
    Another family comes in. They want to find their own lost dog. In one of the cages they see their dog. They cry out: “There is our dog! We’ve found it! Hurray!”
    The clerk says: “This dog costs 500 dollars.”
    “But the dog is our!! We are its owners!!”
    “This dog costs 500 dollars.”
    (quick curtain)
    *~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*

    *more little boys at Revue_Blanche:*

    Myka Morozov, 1901
    b_s1

    Children, 1899
    b_s2

    Sasha Serov, 1897
    b_s3
    Artist: Valentin Serov (1865-1911)

    *russian theme*
    BBC news: “Scientific tests have confirmed that bones found last year in Russia belong to the two missing children of Tsar Nicholas II, Russian officials say.”
    http://news.bbc.co.uk/2/hi/europe/7375765.stm
    The murder of the children of the last Russian Tsar is a part of history. I know the Russian history fairly well or at least, I dare say, much better than anybody else here on blog.co.uk. Russia is a mother country of terrorism, if you like. The Russian terrorism is older than the present day terrorism of the Islamic fundamentalists: recall all those ‘bombists’ of the 19th century, the terrorists who threw the homemade bombs to the representatives of the Tsar’s administration. Most of the terrorists were young men or women; most of the young men or women were students; most of the students were Jews. I am not a Jew (like some bloggers, who write in behalf of gays for the only purpose to seize the opportunity to say “Personally I am not gay” once again, I write about Jews to seize the opportunity to say that I am not a Jew), therefore personally I have no a reason to have anything against the Russian Monarchy. A history lover, I find nothing attractive in social revolutions. A nation, which has ever got through a revolution and murder of an anointed person, is a nation-martyr, in my view. Social changes in the country, where I live, frighten me--even the votes (the most usual thing for all of my friends here on the blog website). To my taste: one president for ever; if not Tsar then at least a lifelong ruler, however awful it sounds. Let the ruler’s political opponents make fuss, stir, noise or whatever around his reign, trying to change the political system or government--that’s nothing but a rule of the game, and their game is not mine. The stake at the game is an enormous profit in addition to their current enormous fortunes and army of vassals. Right in this way the things go in Russia. This being so, I’m not among those who wants social changes/revolutions, and I’d like my young, rebellion-oriented friends to understand me.
    *~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*

  • my fandom is older

    JULY 10, 138 -- Emperor Hadrian (reigned AD 117-138) dies at the age of sixty-two and one half.

    h_a

    “Animula vagula, blandula,
    hospes comesque corporis,
    quae nunc abibis in loca
    pallidula, rigida, nudula,
    nec, ut soles, dabis iocos.” [“Little spirit, gentle and wandering, companion and guest of the body, in what place will you now abide, pale, stark and bare, unable as you used, to play?”]
    I’ve adduced this poem not to inform my reader, but to publish it on the Net one more time. The works of art, images, poems and historical facts is the only Antinoan spirituality, comprehensible for me.

    JULY 16 -- the "Antinoan Arbor Day" and festival of Antinous-Sylvanus
    JULY 25 -- the festival of Hermanubis and the rising of Sirius (and one of two Antinoos Kynegetikos/Antinous Magister Canum days)

    a_a

    "The Days of July of Hadrian" [July 10]

    Hail! Sing, O Muses,
    of the reapings of Pluto,
    son of Cybele—
    embracer in death—

    and of Merciful Jove
    who bestows the honor
    of immortality to them—
    the people of worthiness—:

    Honor Hadrian,
    Emperor of the Romans,
    son of Trajan,
    lover of Antinous;

    Allow his intelligences
    to ascend
    like an eagle
    into the table of the divinized.

    Little wandering charming soul,
    where will you now abide?
    In pale, stark, bleak places?
    Memory will preserve him.

    By the virtues of the Greekling—
    liberality, discipline, beneficence—
    for the benefit of this,
    we will honor you again.

    The fire of the body diminishes,
    but the fire of the soul persists.
    Hail Divus Hadrianus the Greekling…

    In the depths of your sadness, never forget that once we not only hunted lions, but slew them.
    (Phillip Bernhardt-House and Aristotimos, Ekklesia Antinoou)
    *~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*

    much interesting on behalf of the Ekklesia a history lover can see on the Neos Alexandria website:
    http://neosalexandria.org/antinous.htm
    and
    on the most interesting blog of Sannion:
    http://sannion.livejournal.com/
    *~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*

    *three book reviews*
    If you haven't read Ben Pastor's The Water Thief, you really should. It is the first novel about Antinous and Hadrian since Marguerite Yourcenar's brilliant Memoirs of Hadrian more than 50 years ago. The reviewer below says Pastor's book is even better than the Steven Saylor historical novel Roma.

    The Water Thief
    Ben Pastor
    St. Martin's
    In 304 AD Aelius Spartianus, military officer, historian and envoy of the Emperor Diocletian, is working on a biography of the deified Emperor Hadrian, dead almost 200 years.
    Though it seems a small thing in the emperor's long and tumultuous life, the death of Hadrian's favorite, the boy Antinous, intrigues Aelius. Hadrian, a restless traveler, known as cruel and capricious, was obsessed by the drowning death of this boy and built shrines and created a cult in his name.
    With Diocletian's added directive to report back on the state of the Roman army in Egypt, Aelius travels to Antinoe (named after the boy), where an antiquarian bookseller with an old and secret letter of Hadrian's has just been killed, drowned in the Nile like the emperor's boy.
    With the persecution of Christians and the demoralization of the Roman army as a backdrop, Aelius follows clues as murders litter the path before him, which leads, eventually, to Rome and Hadrian's crumbling country estate.
    While the mystery is well done, the protagonist' s character and the waning Empire setting are truly captivating. Pastor's prose is rich, almost dense, giving a real sense of place and time. Aelius is a wanderer with a yen for a home, a thoughtful man who regrets the missteps in his life, a man of action and sharp perception and a romantic.
    Mystery lovers and historical fiction buffs will be equally rewarded.

    Roma: The Novel of Ancient Rome
    Steven Saylor
    St. Martin's
    Passing a gold amulet, a winged phallus that represents the pre-Roman animists' almost-god, from generation to generation, Saylor follows two families through Rome's first thousand years, until the amulet is so worn as to be unrecognizable. As the design of the amulet is reinterpreted by the human mind, so is history. The past becomes myth, legend, religion.
    Saylor's main character is Rome itself. The city begins life as a camp on the salt traders' route where new blood and murderous jealousy set the two families, the Potitii and Panarii, along their winding, entwining and sometimes clashing roads.
    They are witnesses and participants in all Rome's major events from a battle against a cannibalistic giant (Hercules' defeat of Cacus) to Hannibal's invasion, the rape of Lucretia, the death of Caesar, the rise of Augustus, and more. There's political intrigue, towering ambition, treachery and greed. There's also beauty, passion, bravery and Rome's momentous building projects.
    Organizing the sheer wealth of material is an amazing feat in itself, and Saylor keeps his focus on the city itself, so that the thread of its evolution is easily followed. As the book progresses, sometimes jumping a century or so, the reader gains a feeling of omniscience, seeing the origins of a god or a myth or a rite or even just a custom whose human roots have become lost in time while the symbolism takes on a life of its own. He shows us the shape of history.
    The epic scope works just as Saylor intended, but the lack of a human protagonist is the trade-off and the characters sometimes seem like puppets rather than people. However, this is a well-informed page-turner which is as thought-provoking as it is entertaining.

    Medicus
    Ruth Downie
    Bloomsbury
    Divorced, preoccupied by his dead father's bequest of debt, serious about his medical profession, Gaius Petrius Ruso, an officer in the Roman army, newly posted to the Empire hinterland--Britain--gets off to a rough start in British author Downie's first.
    Overworked and squalidly housed, Ruso finds his carefully constructed plans disintegrating under new debts and distractions when he rescues a British slave girl with a broken arm and asks a few too many questions about a dead prostitute.
    All Ruso wants to do is pay his father's debt and write a groundbreaking medical guide but events and his kind heart conspire as another prostitute turns up dead and his newly acquired slave girl is more burden than asset.
    Ruso does more stumbling than sleuthing as his martinet boss, his vermin-infested house, his wily, ambitious roommate, and the strange ways of the barbarian Brits trip him up.
    The remote military outpost is a vivid and brutal place and the gulf between conqueror and conquered is full of misunderstanding and bigotry. Downie's writing is witty and humorous and although the story sags a bit in the middle, the mystery solution is satisfying, the unusual setting is rich and detailed, and the hero is engaging.
    (Lynn Harnett, of Kittery, Maine, writes book reviews for Herald Sunday.)
    *~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*

  • live_and_learn

    The Internet--I am here to learn.
    eng

    Did you know that
    in Europe there is a country of pagans?
    Republic of Kalmykia
    http://en.wikipedia.org/wiki/Republic_of_Kalmykia
    is a federal subject of the Russian Federation (a republic). It is remarkable for being the only area of Europe in which the dominant religion is Buddhism. It has also become famous because its current government has made it the chess center of the world and built the biggest temple of Buddha, which has been visited by Steven Seagal and other Hollywood celebrities, incognito as mass media said. Tourists comment on the number of camels in the countryside--Kalmykia is the home to Europe's only indigenous camel. In the capital there is little traffic--hoping for greenies--however, as I think, representatives of Green Peace should come to this outlying corner of the globe to check up how the Kalmyks treat their camels.
    A few words more on history. The Kalmyks was one of the repressed nations in the past, since in Soviet Russia there were the whole strata and nations subjected to repression and not only individuals. In Soviet times the Kalmyks that is many people were taken away to Siberia from their own homes--children, old men and women, cripples were transported by cattle-boxes--or simply killed. And after the historical facts like that some of my readers can say in some comments (now deleted) that Moscow never was the empire of evil. *shrug*
    *~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*

    *ekklesia_antinoou*--the group I belong to
    the ekklesia_antinoou group:
    http://groups.yahoo.com/group/ekklesia_antinoou/
    Description:
    “The Ekklesia Antinoou has been established to continue on in the best traditions of the original intent of the core group of Antinoans, who began practicing this religion in the summer of 2002. The Ekklesia Antinoou ("Citizenry of Antinous") is a queer, Graeco-Roman-Egyptian syncretist reconstructionist polytheist form of mystical religion. The present group is the forum for discussion of issues, whether of worship or theology, myth or meditation, surrounding the worship of Antinous, the Divinized Boy of Bithynia, his historical cult and continuing scholarship about it, and his relevance to queer people in particular. Any who wish to discuss Antinous are welcome, whether in his ancient historical or mythological forms, or in more modern spiritual and scholarly appearances and possibilities. Discussion of ancient archaeology and textual studies, as well as modern culture, art, and gay politics and religious issues, are also welcome, but a statement of context must be given to highlight the relevance of each non-Antinoian-related topic proposed. True democratic process will be used at all points in discussion of issues and decisions on practice, and diplomacy and scholarly discipline should be observed whenever possible. No personal notes here, no spammers, no missionizing/proselytizing for any faith (including our own!), and no making of truth-claims for one's stated opinions or beliefs, nor statements of exclusive authority on religious matters.”
    *~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*

    *quotation from an old book:*
    “[…] He hated the press--as well as advertising, commercials and television--as he hated any restless molestation, any hard-bitten thought-obtrusion and all the ploys of the 20th century mass media […] All he loved and admired was quite individual product. That’s why he now hated Dieter […] because of this denial all the individual in behalf of all the mass.” (from Call for the Dead by John le Carre. The novel introduces George Smiley, the most famous of le Carre's recurring characters. Dieter Frey is an agent of East German intelligence, and a former wartime agent of Smiley's.)
    *~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*

    *a good quotation for this blog:*
    “I’d let Oscar get Wilde with me.” (Unknown Author)
    *~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*

    *purely for my pleasure*
    my list of the TV series, which I was able to watch and liked, has been updated:
    http://ohlala007.blog.co.uk/2008/05/06/intermediation-4137004
    *~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*

    *for your pleasure*
    here you can read the thriller A Garden of Earthly Delights by Ursula, in which you can meet some personages of X-Files:
    http://nickzone.net/NickZone/html/earthlydelights.htm
    *~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*

    *internet--cosmos--afterlife*
    to whom it may concern

    Lafour_frame

    Nostalgia is a killer, a tricky foe, often using poetic license to shape the past. I’m trying to manage with it myself. But I miss you, and there’s no help for it.
    Do you remember that sunny day, impressed in this imperfect amateur snapshot? I am a child of three riding the tricycle. You’ve told me to turn round, and there is your shade on the sand of the pathway, that is a part of your shade, the head and shoulders of a tall man with the camera in hands over there beside the shade of the whitethorn in the nice public garden on the Left Bank. Whitethorns, lilacs, old lindens, phloxes, gillyflowers. What kind of bushes is at the background of the picture? Lilacs, as far as I remember. By the time of the snapshot the lilacs have stopped blooming, and time of lindens has come, that is the time when my birthday approaches. Do you remember? And now, when I write this, it’s June-July again. The summer heat. Pictures of the past rise before the mind. Is there any use to talk with the dead? Yes, there is, if only I could believe in possibility of the talk.
    *~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*

    *summer--literature--nature*
    There is what is written about the famous Russian Writer Ivan Bunin (1870—1953) in one of his biographies. One day, in the company of his friends the talk turned on Gorki’s works. Everyone had more or less kind opinion. Now Bunin dropped his voice to a piercing whisper saying: “Only think… in his books the lilacs and lindens are blooming in the same time of a year!..” :) Note: Gorki is a representative of simple people, and Bunin is a representative of noblemen.
    :wave:
    *~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*

  • imaginary boys

    boy_grapes

    boy_bronzino_

    boy_cupid

  • the roses of Paestum

    “For the hours of thy happiness are over and joy is not gathered twice in a life, as the roses of Paestum twice in a year.” (Edgar Allan Poe)

    in this issue--
    Ancient Pages at Revue_Blanche

    Giovanni Battista Piranesi (1720-1778) is not my favorite artist, I only appreciate his etchings Vedute--the impressive Views of Rome and views of Paestum--and his series The Prisons simply horrified my imagination one day and I never wanted to see those masterpieces again. Thomas De Quincey in Confessions of an English Opium-Eater (1820) mentioned Piranesi’s most fearsome works:
    “Many years ago, when I was looking over Piranesi's Antiquities of Rome, Mr Coleridge, who was standing by, described to me a set of plates by that artist ... which record the scenery of his own visions during the delirium of a fever: some of them (I describe only from memory of Mr Coleridge's account) representing vast Gothic halls, on the floor of which stood all sorts of engines and machinery, wheels, cables, pulleys, levers, catapults, etc., etc., expressive of enormous power put forth, and resistance overcome. Creeping along the sides of the walls, you perceived a staircase; and upon it, groping his way upwards, was Piranesi himself: follow the stairs a little further, and you perceive it come to a sudden abrupt termination, without any balustrade, and allowing no step onwards to him who had reached the extremity, except into the depths below. ... But raise your eyes, and behold a second flight of stairs still higher: on which again Piranesi is perceived, but this time standing on the very brink of the abyss. Again elevate your eye, and a still more aerial flight of stairs is beheld: and again is poor Piranesi busy on his aspiring labors: and so on, until the unfinished stairs and Piranesi both are lost in the upper gloom of the hall. ...”
    De Quincey, Piranesi, the great English poet Coleridge. What do the names have in common with each other? The point is that all the three men were either drug-addicts or took narcotics. I am not sure concerning Coleridge, but Piranesi was a drug-addict, and I’ve been surprised seeing Wikipedia omit this generally known fact in the article, dedicated to Piranesi.

    from views of Paestum:
    null

    Etching of the Pyramid of Cestius:
    null

    The Arch of Trajan at Benevento as it appeared in the 18th century:
    null

    all pictures
    http://www.picure.l.u-tokyo.ac.jp:8080/e_piranesi.html

    *~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*

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