“…And all day long a bird sings here,
and a stray sheep drinks at the pond at times;
the place is silent and aware;
it has had its scenes, its joys and crimes,
but that is its own affair.”
Welcome to my most exotic blog. “La Revue Blanche” is a title of the French literary magazine that existed in 19th century when Oscar Wilde used to visit Paris. Today I bring some of my miniatures to my reader’s notice. However, some of them, the best male lyric are Mr Blanche’s--in fact, his all amatory poems are dedicated to his son Jocelyn, the young boy, or the young man whom the boy will be in the future.
*broken glass of your promises*
Master-Mistress of my passion. Not amorous--let it be--yet beloved. Giving yourself to sacrifice, you love the mystery of a non-giver. You are in love with the lovemaking of our bodies, giving me your flesh instead of your soul. In the hyacinth fields there are you and me, posterity of the ancient stellar gods--obedient and blind. You’ve been captured by me, who was wounded and captivated. Moonlit divine service every night. Your offerings--my incantations. You may call it ‘rubbish’, ‘mania’, but you know how I love you, appeasing your ardour and desire. Nothing to lose. All I want is you.
*to friend*
You believe in me like a child believes in father’s strength, like one believes in the porch as a beginning of odyssey, like a dying man believes in doctors, like mothers believe in children--frenziedly, without admitting betrayal or loss of what is within. The belief will die only with you; it overweighs all what against; it swallows the insult of everyday life. My voice is softer than the Syrens’, but I fear the belief. It will fetter my freedom. Sweetest, it will be more necessary than a dose of a necessary medicine. Most devoted, it’s like a most faithful congregation. Sunday morning will be intended for saying prayers. And I’ll bend under the burden, under the weight of the slabs of the temple, which your belief will set up. Less air at every new inhalation. The lungs spasm. The death-rattle. Your belief will inscribe on my tombstone: Requiescat.
*Inspiration*
A dream; a sigh;
a moment; your damnation.
It’s not with you, but it’s your silence.
Not love, but sweet embrace.
A tremble, rustle, agony.
Not love, but midnight dream.
Hand in your hand. Embraces. Bonds.
It’s night. Masks thrown off.
Your moan. Your castles in the air.
You feel it, but invisible it is.
To Myself by G. Leopardi (1798-1837)
(translation is mine)
And so, you’ll quiet down for ever,
o my poor, tired heart.
The deception’s perished--final, ultimate,
which I reckoned to be immortal within me.
I feel that not only the hope
of the dear deceptions has died,
but the desire to have them has gone out.
Calm down, for ever. You thrilled enough.
There is nothing what is worthy of your
pulsing, and the earth is not worthy of the sighs.
Our life is melancholy and bitterness, no more;
the world is dirtiness. Quiet down and stop.
Despair for the final time. Fate doesn’t give us
other gift than dying.
From now on, despise itself,
the nature, the insulting strength
that covertly bosses the show
of the universal vice, despise the futility
of it all.
*to my fear of death*
Among the whimsical candlesticks,
among the venerable cobweb
you comes to realize that we are not immortal.
Without hiding your pale face,
without projecting the shade
you go among the indifferent stone walls,
and the eyes of the pallid phantoms of truth follow you.
While in the neutrino realm of spectres,
in the land of mirrors, creepers and shells,
you can hear the wet mumble of nosferatus
and see the hearts that were drunk by them.
Now words spread like circles over water;
and again a star falls into Erebus.
And the panpipe lulls you for dreams
brought by the winds:
“Well, my friend, well,
here you are.
With the exquisite ancient setting
I’ll frame your pain and sorrow,
your pain and sorrow,
your first fright
in the face of eternity”.
*The Prime of Life*
While floating in the soft nothingness of a crystal,
I was listening idly to the lesson dictated
by an eloquent and myopic professor of universal harmony.
Supposedly I was learning the way to drink silence
from the empty, bottomless cup of knowledge
that was be known in order to sense the savoury taste of words.
We both were excited,
though neither the professor nor I cared about the subject--
no wonder--
as we never existed.
*Three Pageboys*
My aide-de-camp on duty,
the young Clarence Gale,
like a mauve lightning,
burst into my sunlit study
and reported laughing:
“Concerning Marcus Aurelius.
House in total panic.
Boycott is expected to be.
Being indignant Count Jocelyn himself
is going to Your Serenity.
And I’ve no time to taste a wine
or to throw my lilac eye to the azure.
I now hurry off to make Glace a la Violette
for the feast in honour
of Ambassador of Marmaland”.
His bilberry-coloured figure
whirled away to the garden.
The door opened wide again,
and the young Ondrik Flyte was ready for report:
“Concerning Marcus Aurelius.
House in total panic.
Boycott is expected to be.
Being indignant Count Jocelyn himself
is going to Your Serenity.
And I have no time to mount on your lap.
The apple of discord is amidst pageboys.
I'm off now to taste Creme de Orchidee,
served for our numerous guests”.
Swaying with the lavender-scented sides
of his frock-coat,
like a swallow,
he flew out through the French window.
In the garden, to the drone of bumble-bees
over the red and white flowers
the infused souls of herbs sang.
And to these sounds the door opened wide again,
and Jocelyn, Comte du Rosier,
amazing gourmet,
connoisseur of exquisite essences,
the boy in purple
entered the room, riding a black horse.
“We, who studied Marcus Aurelius’s Meditations
at your behest,
have fallen out with each other,
but I, Jocelyn will understand all,
and judge between everyone.
I’ll appease the nerves and noise,
and unite all the pageboys,
if only you, my beamish friend,
love me tender,
more tender than all of them”.
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your favorite movie
Lately I mused a little and then listed my favorite movies:
The Milky Way (1969), The Discreet Charm of the Bourgeoisie (1972), The Phantom of Liberty (1974), That Obscure Object of Desire (1977), Death in Venice, The Night Porter, Ludwig (1973), The Doll (1978), Lokis, Terminator 2: Judgment Day, Stargate (1994), Van Helsing, Brideshead Revisited (1981), Prospero's Books (1991), Salome’s Last Dance
What is yours?
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P. S.
One more picture. It consists of three photographs taken when I was younger, fatter and blonder. 3 in 1:

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new adult fiction:
http://stores.lulu.com/store.php?fAcctID=935938
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P. P. S.
Ancient Pages at Revue_Blanche
*blank verse on ancient times*
by Lara Biuts
The world that exists no longer, that attracts me so much.
The world of Hellas, the eternal, ideal world of heroes and gods,
the amber orb I look at with envy.
The world was extinguished, it has died away, is no more, will be never again.
Let it be.
Being immersed into the roaring world of the formation of Olympeion
I close my eyes and can see how, somewhere in the ideal world,
the amber orb rolls down a marble staircase.
A priest smitten with a poisonous arrow dropped the orb out of his hands.
Now he is falling down on the glossy marble floor,
his scarlet blood pours over the floor,
his lips turn pale, his eye grows dim.
One more illusion is dispersed; one more daydream is broken,
and only the amber orb is rolling down the marble staircase
now in the not ideal world.
Who will catch it? Who will restore the lost perfection?
Silence.
The amber orb is smashed to pieces glittering on the floor.
(2006)
*blank verse on ancient times 2*
by Lara Biuts
The moon rose red over Palmyra.
Translucent shadows covered the sands.
One of the noble guests of the palace,
Hadrian’s young friend went out to the balcony.
The newfound world spread before the youth:
the arcades, towers and pillars, light and dreamlike,
the bridges over the river silvering afar,
the still houses and peristyles,
and among the buildings--
the grandeur of the temple.
The youth was lost in a reverie;
while dreaming
and leaving the familiar circle of thoughts and words,
while being carried away
to where the noise of life evanished forever
he felt chilly,
his eyes scintillated,
his fists trembled with anger.
For he foresaw the future centuries at the moment.
A picture rose before his mind:
the night sky above,
a numb row of destroyed pillars,
and among the ruins--
a lioness
like a shade of the endless desert.
(2007)
*Ozymandias of Egypt*
by Percy Bysshe Shelley
I met a traveller from an antique land
Who said:--Two vast and trunkless legs of stone
Stand in the desert. Near them on the sand,
Half sunk, a shatter’d visage lies, whose frown
And wrinkled lip and sneer of cold command
Tell that its sculptor well those passions read
Which yet survive, stamp’d on these lifeless things,
The hand that mock’d them and the heart that fed.
And on the pedestal theses words appear:
“My name is Ozymandias, king of kings:
Look on my works, ye mighty, and despair!”
Nothing beside remains: round the decay
Of that colossal wreck, boundless and bare,
The lone and level sands stretch far away.
one more poem and essay:
http://ohlala007.blog.co.uk/2007/06/15/essay~2455233
*Gods*
by Henri de Regnier (1864-1936)
I dreamt gods talked with me:
one god--streams- and seaweeds-clad;;
one more--with vines and wheat ears;
one more--winged, inaccessible
and beautiful in his nude;
and one more--with his covered face;
and one more--he who plucks omegas and pansies, singing,
and two snakes enwind his gold thyrsus;
and others…
And then I said: here are flutes and baskets--taste my fruits,
listen to humming of bees and the humble rustle of willows and reeds.
And also I said: Listen, listen--
there is someone who speaks by echo’s mouth,
who is lonely amidst the world’s life,
who holds the double bow and torch,
he who is so inconceivably we…
O sacred face! I minted you as medallions
of silver, soft as autumn dawn,
of gold, hot as the sun,
of copper, gloomy as night,
of all the metals that sound clear as joy,
that sound fatal as glory, love or doom;
but the best medallions I’ve made of clay.
Smiling you will count them one by one,
and say: They are skillfully made; and smiling you’ll pass by.
So, no one of you saw my hands tremble from tenderness
and the world’s great dream live in me to come to life in them.
No one of you realizes that I’ve minted my gods of good metals,
that they are a face of all sacred, what we feel
in the forests, grass, sea, winds and roses,
in all phenomena, and in our body,
and that they are divinely we.
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